The content's dated but the dynamic still works. Although it's not a "hot take" it spotlights the talent of a sports talk dude who can take a non related sports story and MAKE IT into a sports story. Sorry, no hot take snippets to put into an imaging friendly production piece. But it does give the fringe sports fan (there's that word again) reason to stick with the show--along with the sports fans that get it on that level

Also getting some hits lately in the Archives is this production demo from 2003 interview subject, Joe Meinecke while at WKLH in Milwaukee. (Still there last we heard!) Extraordinary work. Joe shared his imaging philosophy and more in the interview here: https://rapmag.com/a/112-03/sep03/2350-r-a-p-interview-joe-meinecke

How 'bout a sports talk radio take that talks smack on--SPORTS TALK RADIO. I doubt if this would be utilized as "imagingly correct" subject matter. But, when you present it in it's entirety, the content's just as irreverent and edgy as any of the wizz-bang presentations your competitors are doing

Here's another promo from the Archives that's been getting quite a few plays this past month. Some of the excellent work that came from Glenn Miller while at WKDF back in 1990.

The unpredictability of most personalities are a great help to keep me listening. When ya don't know what to expect, the tendency to hang around for the next gem lends itself to longer times tuned in. So when the sports talk dude goes off the rails on a non sports topic, ya scrap it for more imaging friendly promo content, right? Maybe that's what works for you. But my best successes were with WHOLE bits like this-totally out of left field (if they have 'em across the pond)

This one's dated, but it illustrates a case of when your sports dude goes off the rails and goes on a pop culture rant--and it's good--then do a promo on it. You might start attracting those fringe sports fans in the audience who happen to be uber interested in pop culture

Chances are a lot of your sports station listening audience are rock-n-rollers. So when your sports dude does a bit on guitar riffs and not sports-why not promote it? It may be more entertaining and listener worthy than the day to day hot takes on sports

So your UBER talented sports talk dude talks about something OTHER than sports. AND it's entertaining. So why not use it in a promo? Can you tell me some guys in the audience-sports fans or not (the "nots" you wanna target, too)-WON'T relate to another guy talking about divorce?

What's one way to make a clutter cutting radio ad? Use the element of surprise. The formula's simple. Set up a scenerio then take an unexpected turn at the end. Keeps listeners guessing while keeping them engaged.. And that keeps 'em tuned to your ad longer. Particularly with someone kooky enough to playfully focus on a business name...

This is a piece of work done by Al Peterson, Production Director at WLAD/98Q in Danbury, CT nearly 30 years ago. This audio was featured on the January 1992 RAP Cassette and came with the following story you must read first before listening: ----- "Here is the cut that has driven strong men into the night in tears: FLOWER GIRL!!! If you didn't read about it the first time in Radio World [March 27, 1991], here's the outline: Nicky Stevenson (old and drunk) came 'round the station some months back with a cassette of his "songs" for us to play on the air. His music consisted of him blathering into a Yorx cassette machine -- no music, no drum tracks, nada. Just a few memorable titles like, "Oh Lisa," "I'm a Good Shoe," and "Snowball Baby" shouted onto tape with 86-proof inspiration. All it took was one guy here saying, "Gee, that would be pretty funny if it were set to music." Well, that was a challenge too good to pass up, so I took Nicky's cassette home over vacation, extracted a few "useable" lines to figure out the key and tempo, and spent two days putting music together. Basically, it was the equivalent of a jigsaw puzzle completely painted white -- thoroughly impossible but fun trying. Especially memorable was the modulation from E/flat to D (made possible by a hellish combination of chords resembling a freight train wreck). The reel has a few seconds of Nicky on his own from the cassette he gave me. After that, "Flower Girl" in all its stereophonic splendor. If his voice sounds different in the finished work, it was drowned in Alesis reverb and goosed with a touch of Aphex -- anything to kill the hiss. If you've ever heard of someone trying to save a piece of audio "in the mix," you'll love "Flower Girl." It's so horrible, it's hysterical. PS -- The high pitch heard on the quiet passages is clock noise from a cheap Yamaha synth -- couldn't get it out."

Here's a spot that's been getting a lot of plays from the archives over the past couple of weeks. This spot came in as a Finalist in the 1992 Radio And Production Awards. Submitted by Sean Lowman at KZJH in Jackson, WY, this spot is very cleverly done -- a great way to push a product without boring the listener. Can be applied to countless products, including your station.