News

Antares Technologies announces Auto-Tune Pro is now available. This new, most advanced version of the industry-standard pitch-correction software, can be purchased at antarestech.com and at authorized dealers worldwide.

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PreSonus is shipping its new HD9 headphones, which feature a closed-back acoustic design that provides superior listening isolation and reduces headphone bleed, so you hear nothing but music. The HD9’s 45 mm dynamic, neodymium drivers and high power handling (900 mW per channel into 40Ω) deliver loud, clear, clean audio, minimizing listening fatigue. Its tailored frequency response extends all the way from 10 Hz to 26 kHz (±3 dB), with accurate bass response, enabling precise mixes.

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The loop-based Digital Audio Workstation ACID Pro is back with its first major update in ten years. MAGIX Software has completely overhauled the software that revolutionised loop-based music making 20 years ago and has added many new professional features, dozens of new instruments and effects and an all-powerful 64-bit architecture. Yet with a brand new, sleek and modern interface and its innovative loop-based compositional environment, the software retains the easy workflow that it is famous for. ACID Pro has been revitalised for today's creative artist and producer but it is as easy to use today, as it was 20 years ago.

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Host application and audio effects developer Audified is proud to announce availability of RecAll — revolutionising risk-free “Record it all” live event capture as an easily set up and easy to use multichannel MacOS application (developed in Cocoa, directly accessing Core Audio).

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The AES has always been at the center of the audio recording community, bringing the top engineers together to share techniques and promote new ideas. Next month’s AES Milan Convention will offer the year’s most comprehensive program of Recording and Production workshops, tutorials and demonstrations, along with chances to get your ears on the latest gear from top industry brands. Taking place 23-26 May at the NH Hotel Milano Congress Centre in Milan, Italy, AES Milan will present an immersive look at many topics of note in the recording and production industry. 

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When the original 2290 Digital Delay hit the music world in 1985, it was lauded as nothing short of a revolution in sound. Adopted by producers and FOH engineers as well as musicians such as David Gilmour, The Edge and Robben Ford, it set the benchmark for delay units, and quickly became an industry standard in professional studios and live effects rigs.

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Focusrite recently launched its new Focusrite Pro division, formed to serve the specific needs of broadcast audio professionals. Focusrite Pro is dedicated to removing creative and technical barriers by improving the workflows of audio professionals with scalable audio solutions that meet both their current and future requirements.

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