By Steve Cunningham

I don’t know about you, but I carry around way too much stuff. And with airline travel having become the ordeal it is today, the situation has become worse, not better. The last couple of trips I made, one to San Francisco and the other Las Vegas, nearly involved a complete strip search at LAX airport. Needless to say, the TSA drones in the airport had lots of questions regarding my laptop, audio interface, and microphone. Methinks someone is trying to tell me that I need to cut back on my carry-ons. This month’s review features a couple of items that take care of exactly that problem. They’re small, they sound good, and I’m betting that they’ll create a lot less intrigue at the airport.

The first is the MicPort Pro, from CEntrance Inc. In short, the MicPort Pro is an XLR to USB interface. That’s not particularly remarkable in itself, as most USB audio interfaces have XLR jacks on them. What’s cool about the MicPort Pro is that it presents itself as a microphone adapter that’s about the size of an in-line transformer. 

On one end is a protruding XML or female Jack, while the other end is home to a mini USB connector. It includes both phantom power and a 1/8-inch jack for headphones monitoring. Most importantly, it works at 16 or 24 bits and from 44.1 kHz up to 96 kHz.

I have paired the MicPort Pro with one of the smallest microphones I know of — the Countryman E6i omnidirectional headset mic, although Countryman calls it an “earset” mic. This little condenser is so small that if you order it in a color to match your complexion, folks won’t know you’re wearing it from 12 feet away. Just the thing to get you through the airport screening process.

MicPortKit

On the Soundstage

Regal-Group_RE-Gals-Rule-of-Threes_60_mix

ICYMI...

February 01, 2002 9584
By Steve Cunningham There are days when our stock music library just doesn’t cut it, and the GM is too tight to spring for new music or update the library we bought in 1996. We need an original music bed, and we need it to be...