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Jay Rose added a new comment in Production 512: My, What A BIG Room You Have! - A Beginner's Guide to Reverb"Less is more" indeed!
Reverb does not make a voice bigger. It makes it farther away.
Generally, big things are farther away... but (in a normal room) a giant monster in-your-face will have less reverb than an announcer ten feet away!
If you want an intimate sound, dial the reverb down or...More"Less is more" indeed!
Reverb does not make a voice bigger. It makes it farther away.
Generally, big things are farther away... but (in a normal room) a giant monster in-your-face will have less reverb than an announcer ten feet away!
If you want an intimate sound, dial the reverb down or totally out. Let the listener's office/bedroom/car acoustics provide the only reverb. It'll sound more like the talent is talking directly to the individual listener.
From a film-mixing point of view (I left radio about 15 years ago), voice reverb is used primarily to make studio replacements match location dialog. Voice-overs, unless they're the character talking from their dialog world, have little or no reverb.Post is under moderationStream item published successfully. Item will now be visible on your stream.
Producer's Market
Archive Audio
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April 1, 1990
Greetings ladies and gentlemen, and welcome to another edition of The Cassette. Side A begins with a collection of K9-FM production from this month's interviewee, Program Director Gary Moore. Cut 2 is a parody of the hit, "She Drives Me Crazy." Our thanks to Gary Kleinman of Laszlo & Gary for this ...