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Latest Posts

Roswell Pro Audio Unveils Delphos II Condenser Mic

January 22, 2019

iCON Pro Audio introduces Platform U22 VST Audio Interface

January 21, 2019

Voxengo Voxformer 2.12 Vocal Channel Strip Plugin Released

January 20, 2019

BMI Foundation Launches Founders Award Internship Program for Broadcasting Students Nationwide

January 19, 2019

Production 512: Your Best Tool Is Your Head

January 17, 2019

Rules of Engagement

January 17, 2019

Reftone Speakers Unveils New Universal In-Ear Reference Headphones

January 16, 2019

ZAOR Studio Furniture Develops Desk Product Line with Maestro Series

January 15, 2019

New York Festivals 2019 Radio Awards Open for Entries

January 12, 2019

Pro Sound Effects Releases Bass Machine Library

January 10, 2019

Voxengo Releases Correlometer Free Multi-band Correlation Meter Plugin

January 06, 2019

Voxengo Crunchessor 2.10 Compressor Plugin Released

December 27, 2018

Fraunhofer IIS to Present Several CES Debuts

December 19, 2018

Squandering Our Competitive Advantage

December 14, 2018

Production 512: Go With The FLOW

December 14, 2018

PreSonus Ships Quantum 4848 Audio Interface

December 13, 2018

iCON Pro Audio announces QCon Pro G2 universal control surface and QCon EX G2 extender

December 13, 2018

Voxengo CRTIV Reverb 2 Reverberation Plug-in Released

December 13, 2018

Tascam TH-07 Headphones Offer High-Definition Monitoring

December 08, 2018
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July 2014

The R.A.P. CD - July 2014
Tech News - July 2014
July 2014 Highlights
The Mix - July 2014
R.A.P. Interview: Ron Tarrant
The Monday Morning Memo: The Upcoming Fork in Business Boulevard
"...And Make It Real Creative!": You Won’t Feel a Thing: The Cost of Misinterpretation
Production 212: Get The Beans Out Of Your Ears (Oh, those are ear buds. Never mind.)
Radio Hed: Structuring Problem-Solution Commercials
Build a Website on Your Computer - Part 2
New York Festivals
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Tweets by radioprod

Dave Foxx's Production 212 & 512...

  • Production 212: The Magic Buss

    July 1, 2002

    By Dave Foxx

    When I was starting my professional career, it wasn’t in radio at all. I was a technical director for live theatre, with a heavy interest in lighting. My boss at the time, Jack Ellis at the Scott Theatre in Fort Worth, Texas, gave me a book on lighting and inscribed it with, ...

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