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Latest Posts

Roswell Pro Audio Unveils Delphos II Condenser Mic

January 22, 2019

iCON Pro Audio introduces Platform U22 VST Audio Interface

January 21, 2019

Voxengo Voxformer 2.12 Vocal Channel Strip Plugin Released

January 20, 2019

BMI Foundation Launches Founders Award Internship Program for Broadcasting Students Nationwide

January 19, 2019

Production 512: Your Best Tool Is Your Head

January 17, 2019

Rules of Engagement

January 17, 2019

Reftone Speakers Unveils New Universal In-Ear Reference Headphones

January 16, 2019

ZAOR Studio Furniture Develops Desk Product Line with Maestro Series

January 15, 2019

New York Festivals 2019 Radio Awards Open for Entries

January 12, 2019

Pro Sound Effects Releases Bass Machine Library

January 10, 2019

Voxengo Releases Correlometer Free Multi-band Correlation Meter Plugin

January 06, 2019

Voxengo Crunchessor 2.10 Compressor Plugin Released

December 27, 2018

Fraunhofer IIS to Present Several CES Debuts

December 19, 2018

Squandering Our Competitive Advantage

December 14, 2018

Production 512: Go With The FLOW

December 14, 2018

PreSonus Ships Quantum 4848 Audio Interface

December 13, 2018

iCON Pro Audio announces QCon Pro G2 universal control surface and QCon EX G2 extender

December 13, 2018

Voxengo CRTIV Reverb 2 Reverberation Plug-in Released

December 13, 2018

Tascam TH-07 Headphones Offer High-Definition Monitoring

December 08, 2018
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OSense O-Sense

January 1998

Test Drive: Denon DN-M1050R Professional MiniDisc Recorder
How Do I Love Me?
Q It Up: How Does Your Station Handle Talent Fees?
R.A.P. Interview: Eric Chase
Production News - January 1998
Producer's VU - January 1998
The R.A.P. Cassette - January 1998
KRUD Radio Toon - January 1998
A Dangerous Way To Sell Radio
Way Off the Mark: New and Fresh

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Tweets by radioprod

Dave Foxx's Production 212 & 512...

  • Production 212: No Static at All

    November 1, 2006

    By Dave Foxx

    Any regular reader of this column knows that I am a major proponent of the use of compression in production. I’ve written at length about compressing voice tracks, effects and even compressing the end product. One thing you will note though is I have never advocated the compression of ...

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