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Latest Posts

Production 512: What Is This USP You Keep Talking About?

March 15, 2019

Voxengo Elephant 4.6 mastering limiter plugin released

March 14, 2019

Sterling Audio announces SL230MP Mic Pair for Stereo Recording

March 14, 2019

K-Devices Releases WOV and TTAP New Phoenix Series for VST and AU

March 04, 2019

The Difference Between a Good And A Great Voice Over Is The Last 5%

February 28, 2019

R.A.P. Interview: Tim Burt

February 28, 2019

Voxengo Shinechilla 1.1 harmonic generator effect plugin released

February 26, 2019

Voxengo SPAN Plus 1.5 spectrum analyzer plugin released

February 23, 2019

Voxengo SPAN 3.2 FFT spectrum analyzer plugin released

February 17, 2019

Antelope Audio premieres Edge Go modeling mic and Gen 3 interfaces

February 17, 2019

Production 512: Specialization is for Insects

February 12, 2019

RTW Updates Plug-in Suites and Introduces New Stereo-Only Versions

February 06, 2019

Audio-Technica Introduces ES954 Hanging Microphone Array

February 05, 2019

vCreative Appoints Susie Hedrick as President and Chief Operating Officer

February 04, 2019
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  • 1997 Archives
  • August 1997
OSense O-Sense

August 1997

Test Drive: Express Digital Audio Workstation from Spectral, Inc.
R.A.P. Interview: John Pellegrini
Producer's VU - August 1997
The R.A.P. Cassette - August 1997
Tales of the Tape - August 1997
Planning (and Plotting) Your Budget - Part II
Q It Up: How do you get that agency sound?
Letters to the Editor - August 1997
Where The Buffalo Roam
KRUD Radio Toon - August 1997

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Producer's Market

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Dave Foxx's Production 212 & 512...

  • Production 512: Parallel Compression

    August 1, 2016

    by Dave Foxx

    So how do you use your compression? Are you a virtual voiceover head-banger, pushing the compression threshold to the max every time? Or are you more of an audio purist who strives to keep the voice as pristine as possible, depending on an excellent microphone and super clean mic-pre? ...

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