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Latest Posts

Roswell Pro Audio Unveils Delphos II Condenser Mic

January 22, 2019

iCON Pro Audio introduces Platform U22 VST Audio Interface

January 21, 2019

Voxengo Voxformer 2.12 Vocal Channel Strip Plugin Released

January 20, 2019

BMI Foundation Launches Founders Award Internship Program for Broadcasting Students Nationwide

January 19, 2019

Production 512: Your Best Tool Is Your Head

January 17, 2019

Rules of Engagement

January 17, 2019

Reftone Speakers Unveils New Universal In-Ear Reference Headphones

January 16, 2019

ZAOR Studio Furniture Develops Desk Product Line with Maestro Series

January 15, 2019

New York Festivals 2019 Radio Awards Open for Entries

January 12, 2019

Pro Sound Effects Releases Bass Machine Library

January 10, 2019

Voxengo Releases Correlometer Free Multi-band Correlation Meter Plugin

January 06, 2019

Voxengo Crunchessor 2.10 Compressor Plugin Released

December 27, 2018

Fraunhofer IIS to Present Several CES Debuts

December 19, 2018

Squandering Our Competitive Advantage

December 14, 2018

Production 512: Go With The FLOW

December 14, 2018

PreSonus Ships Quantum 4848 Audio Interface

December 13, 2018

iCON Pro Audio announces QCon Pro G2 universal control surface and QCon EX G2 extender

December 13, 2018

Voxengo CRTIV Reverb 2 Reverberation Plug-in Released

December 13, 2018

Tascam TH-07 Headphones Offer High-Definition Monitoring

December 08, 2018
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OSense O-Sense

January 2003

Test Drive: Wavelab 4.0 from Steinberg
The R.A.P. CD - January 2003
R.A.P. Interview: Dave Arnold
You Can Do Creative Like the Big Shots
Q It Up: Who Were Your Mentors? - Part 2
Production News - January 2003
Book Review: "Voice Over Etiquette - The Definitive Guide to Working in the Voice Over Industry" by Bill Filipiak
Why Do We Do What We Do?
Radio Hed: Let's Twist Again
Excuse Me, That’s My Emotional Baggage

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RadioPromoHub

Tweets by radioprod

Dave Foxx's Production 212 & 512...

  • Production 512: Parallel Compression

    August 1, 2016

    by Dave Foxx

    So how do you use your compression? Are you a virtual voiceover head-banger, pushing the compression threshold to the max every time? Or are you more of an audio purist who strives to keep the voice as pristine as possible, depending on an excellent microphone and super clean mic-pre? ...

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