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Radio And Production
October 2009

The R.A.P. CD

October 2009 Highlights

Interview: D.J. Williams Jetset Media Workshop London, Ontario

Imagine being exposed to radio as a kid, or in high school and college, and instead of getting all excited about a career in radio as a disc jockey or a production pro, you gravitate to the sales department. Strange but true. That’s basically what D.J. Williams did, but he came out on the other side far more than just a super salesperson. After dabbling in concert promotion for a few years, D.J. formed a company aimed at assisting radio stations with their copy and production needs. Soon he was on staff in Atlanta at Clear Channel’s Creative Services Group. Today, he’s back in his home town of London, Ontario, where he maintains his company, Jetset Media Workshop, and has just authored his first book, SoundBAIT. This month’s RAP Interview gets an interesting story of a person literally born into radio, a Creative like us, who has carved a successful niche servicing radio stations with his passion for making better commercials.

Production 212: That’s Not Funny… That’s SICK!  

Every morning when I come into work, I make sure that I have a fresh new joke to tell our receptionist here at the New York plant. Anita is a very special lady who has an amazingly infectious laugh that always ratchets my day up to a ‘superb’ rating when I hear it. Most of the jokes are a bit risqué, and I would think twice before telling them to just anyone. Very few would ever make their way into any of my production, which brings us to the topic of this month’s column: humor.

Radio Hed: Affiliates and Joint Ventures

In addition to the value that can be added by the advertisers themselves, what profitable synergy could be created among non-associated advertisers? This approach could be called “value added by association.” With a little thinking outside the box, everyone wins. Ask yourself and your client, “What is complimentary but doesn’t compete with your product or service? “ Make a list of possible advertisers who might provide profit by association, then talk to potential affiliates and set up joint venture marketing where each participant helps promote the other’s business.

Test Drive: Mikey from Blue Microphones

This month’s product review involves yet another happy accident. I subscribe to a number of voiceover mailing lists, and last month one of them advertised a deal to list members on a product that would turn an iPod into a self-contained recording device. Now I admit I’m addicted to my iPod, and it’s never far out of my reach. I even have an audio cable with a 1/8 inch stereo plug hanging down from behind the dashboard of my 1965 Ford, which I installed specifically so I could listen to my iPod during my work commute in the old Ranchero. So when I saw this I was definitely interested. However, I was equally skeptical. Several years ago I purchased a Griffin device that had a microphone and it, and purported to make the iPod capable of voice recording. Unfortunately the recordings were all eight bit and suitable only for creating audio grocery lists. That device was a complete waste of money. But this little widget, offered at a modest discount to list members, was made by Blue Microphones and I simply couldn’t resist. The thought of being able to go out with little more than my iPod and this little widget, and record actualities, interviews, and sound effects, was more temptation that I could withstand. Out came the credit card, and off went an order to Baltic Latvian Universal Electronics, or Blue. A few days later, Mikey arrived.

Q It Up: The RAP Network Speaks - What is your spec spot policy?

Q It Up: When it comes to spec spots, what guidelines and policies do you have in place for the salespeople? How much time do you require to produce a spec spot? How many do you produce in an average week or month? Are there any incentives in place as rewards when spec spots result in sales? Please add any other comments you might have about spec spots at your station(s).  

If you have a question for the RAP Network, email it to editor@rapmag.com!

...And Make It Real Creative

While cleaning the apartment the other day, I re-discovered an important Creative tool that I had not used in some time. Being an older tool, it was hardware based, and as I traced my hands across it, I remembered all the amazing Creative discoveries I’d made with it over the years. In fact, considering how useful it once was, I was surprised I had discarded it at all. Did I still have the stuff to make it sing? I took a deep breath, placed one end of it to my lips, and blew a victorious, “TO-TO- TOOOOOOOOOOOOT!!!”

Personal Computing: The Computer World is A-Changin’ 

The demise of the classic online service CompuServe on July 1 is more testimony about the inescapable movement of time and the ever-shifting positions of the heavyweights in the computer industry. In its day CompuServe ruled the online roost. Founded in 1969 before the advent of the personal computer revolution, it was the most popular online service in the 1980s and continued being hugely important into the mid-1990s, providing reams of information as well as ample opportunity to communicate. CompuServe’s business model, however, relied on an hourly rate system, and it was done in by services that charged a flat monthly rate, primarily by America Online (AOL), which wound up buying CompuServe in 1998.

Monday Morning Memo: Dealing with Rejection

Advertising salespeople are highly paid because rejection hurts. They told me to rub Zig Ziglar on it, but the sting and the ache stayed with me. I was 20 years old. The smiley seminar speaker said, “Look in the mirror each morning and repeat these affirmations.” Sorry, I’ve already got a religion and it makes me very uncomfortable with self-worship. I know there’s a God and it isn’t me. My manager tried to teach me how to overcome objections but that only made me feel worse. People were rejecting me because they assumed I was a professional liar and now I was becoming one. Everywhere I went I heard, “I tried advertising and it didn’t work.” “Yeah, I know,” whispered the little voice inside me, “I see it not work every day.”

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